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Paris 25 mars 2015 Exceptional Works on Paper from the Triton Collection Founda

Paris 25 mars 2015 Exceptional Works on Paper from the Triton Collection Foundation Evening Sale / Vente du soir – ifc2 – – 1 – code et numéro de la vente Pour tous renseignements ou ordres d’achats, veuillez rappeler la référence 4053 - RÊVERIE résultat des ventes auction results Paris: +33 (0)1 40 76 84 13 Londres: +44 (0)20 7839 9060 New York: +1 212 452 4100 christies.com Consultez nos catalogues et laissez des ordres d’achat sur christies.com Christie’s France SNC - Agrément 2001/003 [30] CONSEIL DE GÉRANCE François de Ricqlès, Président, Edouard Boccon-Gibod, Stephen Brooks, Gérant François Curiel, Gérant Consulter le catalogue et les résultats de cette vente en temps réel sur votre iPhone ou iPod Touch IMPORTANT La vente est soumise aux conditions générales imprimées en fin de catalogue. Il est vivement conseillé aux acquéreurs poten- tiels de prendre connaissance des informations importantes, avis et lexique figurant également en fin de catalogue. The sale is subject to the Conditions of Sale printed at the end of the catalogue. Prospective buyers are kindly advised to read as well the important information, notices and explanation of cataloguing practice also printed at the end of the catalogue. Participez à cette vente avec Cliqué, Adjugé ! Partout dans le monde. Enregistrez-vous sur www.christies.com jusqu’au 25 mars à 8h30 vente aux enchères Mercredi 25 mars 2015 à 19h Lots 1 - 49 9 avenue Matignon 75008 Paris commissaire-priseur Adrien Meyer exposition publique Vendredi 20 mars de 10h00 à 18h00 Samedi 21 mars de 10h00 à 18h00 Dimanche 22 mars de 14h00 à 18h00 Lundi 23 mars de 10h00 à 18h00 Mardi 24 mars de 10h00 à 18h00 Mercredi 25 mars de 10h00 à 18h00 Exceptional Works on Paper from the Triton Collection Foundation – 4 – 3 information sur la vente 6-7 spécialistes et services pour cette vente 114 avis et lexique 115 informations importantes pour les acheteurs 117 conditions générales 118 entreposage et enlèvement des lots 119 salles des ventes internationales, bureaux de représentation européens et consultants, départements spécialisés et autres services christie’s 120 abonnements aux catalogues 121 ordre d’achat 122 absentee bids form 125 index couverture: Lot 5 deuxième de couverture: Détail du lot 20 et du lot 31 page de titre: Détail du lot 10 sommaire: Détail du lot 13 page 6 : Détail du lot 19 troisième de couverture: Détail du lot 17 quatrième de couverture: Lot 9 SOMMAIRE ILLUSTRATIONS christies.com INFORMATIONS & SERVICES POUR CETTE VENTE Le tampon de la Triton Collection Foundation est disponible pour les acheteurs de cette vente. Veuillez contacter le dÈpartement pour plus de renseignements. Th e co llecti o n mar k o f the Tri ton Col lecti o n Fou n da tio n i s av a il abl e to su cces sf u l b u yers in th e sa le. Plea se con ta ct th e depa r tm en t f o r deta il s. ORDRES D’ACHAT ET ENCHÈRES TÉLÉPHONIQUES ABSENTEE AND TELEPHONE BIDS Nous sommes à votre disposition pour organiser des enchères tÈlÈphoniques pour les œuvres d’art ou objets de collection dont la valeur est supÈrieure à €2,000. We will be delighted to organise telephone bidding for lots above €2,000. Tel: +33 (0)1 40 76 84 13 Fax: +33 (0)1 40 76 85 51 christies.com RÉSULTATS DES VENTES AUCTION RESULTS Paris: +33 (0)1 40 76 84 13 Londres: +44 (0)20 7839 9060 New York: +1 212 452 4100 christies.com RÈGLEMENT ACHETEURS PAYMENT Tel: +33 (0)1 40 76 84 35 Tel: +33 (0)1 40 76 84 38 TRANSPORT / SHIPPING Tel: +33 (0)1 40 76 86 17 Fax: +33 (0)1 42 56 26 05 RELATIONS CLIENTS CHAIRMAN’S OFFICE Fleur de Nicolay fdenicolay@christies.com Tel: +33 (0)1 40 76 85 52 Virginie Masurel vmasurel@christies.com Tel: +33 (0)1 40 76 83 53 SERVICES À LA CLIENTÈLE CLIENTS SERVICES *clientservicesparis@christies.com Tel: +33 (0)1 40 76 85 85 Fax: +33 (0)1 40 76 85 86 ENTREPOSAGE ET RETRAIT DES ACHATS STORAGE AND COLLECTION Tel: +33 (0)1 40 76 86 17 Fax: +33 (0)1 42 56 26 05 ABONNEMENT AUX CATALOGUES CATALOGUE SUBSCRIPTION Tel: +33 (0)1 40 76 83 58 Fax: +33 (0)1 40 76 85 86 christies.com Jeanne Rigal Coordinatrice internationale des expertises Tel: +33 (0)1 40 76 85 91 jrigal@christies.com Tudor Davies Directeur du Département Tel: +33 (0)1 40 76 86 18 tdavies@christies.com Hélène Rihal Spécialiste Dessins Anciens et du XIXe siècle Tel: +33 (0)1 40 76 86 13 Paul Nyzam Responsable de vente Art Contemporain Tel: +33 (0)1 40 76 84 15 Tatiana Ruiz Sanz Spécialiste Tel: +33 (0)1 40 76 72 08 truizsanz@christies.com Étienne Sallon Spécialiste Junior Art Contemporain Tel: +33 (0)1 40 76 86 03 Anika Guntrum Directeur Tel: +33 (0)1 40 76 83 89 aguntrum@christies.com Ketty Gottardo Directeur Dessins Anciens et du XIXe siècle Tel: +33 (0)1 40 76 83 59 Olivia de Fayet Spécialiste junior Tel: +33 (0)1 40 76 83 66 odefayet@christies.com Fanny Saulay Spécialiste associé Tel: +33 (0)1 40 76 83 65 fsaulay@christies.com Thomas Morin Coordinateur Export /Catalogueur Tel: +33 (0)1 40 76 83 99 tmorin@christies.com Natacha Muller Administrateur Tel: +33 (0)1 40 76 84 09 Fax: +33 (0)1 40 76 86 28 nmuller@christies.com ART IMPRESSIONNISTE ET MODERNE, PARIS DESSSINS ANCIENS ET DU XIXe SIÈCLE – ART CONTEMPORAIN, PARIS INTERNATIONAL IMPRESSIONIST AND MODERN ART SPECIALISTS Jussi Pylkkänen London GLOBAL PRESIDENT Olivier Camu Deputy Chairman London INTERNATIONAL DIRECTORS AND SENIOR SPECIALISTS Liberté Nuti Director London Jetske Homan Van Der Heide Director, Senior Specialist Amsterdam Giovanna Bertazzoni London INTERNATIONAL HEAD OF THE DEPARTMENT Pierre Martin-Vivier Directeur, 20th Century Arts au sein du Chairman Ofce Tel: +33 (0)1 40 76 86 27 pemvivier@christies.com – 8 – J ussi Pylkkanen (JP), Christie’s Global President, interviews Marijke Cordia-Van der Laan (MC) on the origins of the Triton Collection Foundation and what inspired her as a collector. JP: Marijke, do you remember the very first work that you bought together with Willem for the collection? MC: This is interesting because before we bought our Van Gogh and Monet paintings [in December 1995 and January 1996], we didn’t actually plan to have a collection as such. We were just buying for decoration for our home. But with the Van Gogh and the Monet, we suddenly decided that we had to be more careful, and to make real decisions about what was going to match the standards set by these two works. But to answer your question, actually there is only one work remaining in the collection which we bought together in 1988, and that is the Karel Appel. JP: That would be the great Karel Appel painting of 1961 entitled “Flowering Heads”, which is currently on loan to the COBRA museum? MC: Yes, it sort of belongs there, they didn’t have an Appel like that and this is one of the things that we really like to do at Triton: we want people to enjoy our works; we want people to have the opportunity to admire them. JP: As you know, I am a great believer in loans to public institutions. Do you have other works on loan elsewhere? MC: Oh yes, in fact the Van Gogh and the Degas ‘Après le Bain’, when they are not travelling or requested for other exhibitions, are at the Van Gogh Museum. This is a nice combination for the Museum because they actually don’t have a Degas like that, and at the moment they cannot acquire such a work, so it is a ‘win-win’ situation. Between 40 and 60 percent of the Collection can be travelling at any one time, with works going as far afield as Seoul or Cleveland. JP: Can I ask now about the family’s outlook on collecting? The next generation is now involved, and you are moving in new directions with purchases by artists such as Sean Scully and Marina Abramovich. The broader family are interested in helping form the next steps for the collection, how did this interest come about? MC: Well, my daughter Eliane had studied the Christie’s Fine Art course for a year in London, and then my daughter-in-law Marlies did the same thing later in 2010. Back in 2003 Eliane persuaded us to buy a Martial Raysse, which we still have. My husband didn’t really like it, but I said we had to encourage the younger generation (and I did sort of like it, it was very pop!). So we bought it, and to Willem’s surprise it appreciated rather quickly in value and he said, “Wow, she has an eye for this”. In the same year we bought our first Fontana, another of Eliane’s suggestions and to which Willem was again skeptical. And then when Waring Hopkins came to us in 2004 with an Yves Klein also from the 1960s, Eliane and I were able to say to Willem “this is so beautiful you have to buy this” and Willem didn’t hesitate any more. On reflection, I think that that is really one of the defining things about our collection, that uploads/Marketing/ exceptional-works-on-paper-from-the-triton-collection-foundation.pdf