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Nostradamus 3 Forskningsrapporter Cahiers de la Recherche ANNA CARLSTEDT La poésie oraculaire de Nostradamus langue style et genre des Centuries Institutionen f? r franska italienska och klassiska spr? k Département de français d ? italien et de langues c

Forskningsrapporter Cahiers de la Recherche ANNA CARLSTEDT La poésie oraculaire de Nostradamus langue style et genre des Centuries Institutionen f? r franska italienska och klassiska spr? k Département de français d ? italien et de langues classiques C CForskningsrapporter Cahiers de la Recherche ANNA CARLSTEDT La poésie oraculaire de Nostradamus langue style et genre des Centuries Institutionen f? r franska italienska och klassiska spr? k Département de français d ? italien et de langues classiques C CThèse pour le doctorat Département de français d ? italien et de langues classiques Université de Stockholm S - Stockholm Doctoral Dissertation Department of French Italian and Classical Languages University of Stockholm S ?? Stockholm Abstract This dissertation is a study of the work of Michel de Nostredame Nostradamus Born in Provence France in this true Renaissance man ? astrologer doctor of medicine and translator achieved fame with the publication of his Centuries or ??Prophecies ? This work presents centuries of quatrains ?? almost a thousand short poems of only four rhymed lines each The ?rst third was published in another third in and ?nally the ten Centuries all together posthumously in The present study concentrates on the ?rst edition consisting of the ?rst quatrains The main purpose of this thesis is to explore and analyse the language the style and the genre of the Centuries aspects rather neglected by the critics hitherto The large number of quatrains analysed in detail provides a solid basis for accurately characterizing the distinctive features of the text The methods applied are mainly quantitative and comparative Initially a short presentation of Nostradamus ? life and work sketches in the background for the creation of the Centuries The analysis of the poetic form illustrates the stylistic as well as linguistic consequences of the use of the quatrain it is argued that the poetical structure of the text in uences its language as well as its oracular genre The language of the Centuries is quantitatively examined ?rst at the sentence level and then at the phrase level In order to de ?ne its speci ?c nature comparisons are made with the language of other texts from the same period i e the Délie by Maurice Scève and the Pantagrueline Pronostication by François Rabelais The results demonstrate that the most prominent di ?erences concern what may be referred to as Nostradamus ? strategy of omission where the restrictive metrical form of the quatrain demands that he be sparing of words Thereafter the dissertation concludes that the number of textual themes and motives of the Centuries is quite limited war catastrophe government the prodigy being identi ?ed as the general poetic topic that contributes to the coherence of the text A subsequent section thoroughly investigates stylistic elements such as enumeration repetition and onomastics The objective of the ?nal section is to de ?ne the genre of the Centuries The close connection between the concepts of poetry and prophecy during the French Renaissance is well documented It is thus suggested that the enigmatic